Posts Tagged ‘comedy

13
Feb
14

“Transparent” A transparent Trans review.

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I just finished watching the pilot episode for “Transparent” the latest attempt out of Hollywood to portray the trans experience. And Wow. I mean, really, wow. That was not what I expected.

And I mean that as high praise. At least kind of. But let me explain.

I would be lying if I said I had gone into this without expectations. I’ve been hearing about this show for quite some time now. First rumours. Then confirmation. Then hints through the trans pipeline about the behind the scenes production.

It took very little detective action to take a look at who was working on this. It even turned out that I was connected to the director, Jill Soloway from about 20 different directions. Including the husband of the first woman I ever had a crush on at summer camp. Who I recently reconnected with when she asked if she could take some naked pictures of me! (They’re on the internet, if you really want to know that much about me. And they’re quite nice really!)

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Seriously, so much enduring love to my queer friend who saw through the facade of “straight white guy” and gave me her copy of this to read.

So that’s my full disclosure of a sort. And I went in with split expectations. On the one hand, some of the people I was connected to the director through are people whom I admire a great deal. Including my mentor and friend, the amazing improviser, David Razowsky. I also was very impressed by the work Soloway has done previously. Including as a producer and writer of the series Six Feet Under and director of a section of a film based on the autobiographical novel Valencia by queer author Michelle Tea. A book that was really quite inspirational to me when I read it out in L.A. just previous to my transition.

On the other hand. Hollywood hasn’t been doing the most bang-up job of representing trans people lately. There have been close steps, almost okays, but then they invariably fail.

With only a couple of exceptions, the late night television roster seems to have been a veritable factory of faux-pas and insensitive portrayals lately. And in primetime, we are still far too often portrayed as sex objects, psychos or the as punchline for jokes that were already old when Milton Berle was putting on a dress for laughs.

So I’ll admit, when I saw that the pilot for Transparent was out on Amazon Prime, I pressed play with a great deal of skepticism. If perhaps skepticism tempered with a bit of hope.

And right from the first moment, I was surprised. First of all, the titles. These weird, throwbacky, seventies sitcom style titles. A font that looked lifted straight from The Jeffersons.

As a child whose favourite babysitter growing up in the Seventies and Eighties was our little black and white tv, I was hooked instantly on a wriggling worm of nostalgia. So, imagine my surprise when the very next shot is of a couple in bed and, and….

Waitaminute! They’re showing that woman naked!

This isn’t the seventies anymore, this is how people actually sleep in their beds as couples!! Naked, with sheets partly thrown off. Because it gets hot in L.A.!

Holy heck!

Already I knew that whatever expectations I might have where going to be up for grabs. Still, I watched each scene, waiting for the reveal, ready to be all clever and know-it-all trans advice columnist and say, “Ah ha!” I knew the hammer was about to drop!! There it is! There’s the awful, cheap joke about a guy in a dress!

But it kept not happening.

Now, I don’t want to give too many spoilers here. I suggest that you watch the show yourself. Give it your own attention. If I were to tell you too, too much it would spoil what I liked most about it. Which was that I found it consistently surprising.

What I will tell you is that Jeffrey Tambor was quite sensitive in his portrayal of a late-middle-aged father in the beginnings of male-to-female transition. I consistently liked how he played each scene he was in. And his relationship with his three children was very real feeling to me.

Also, it’s a great deal more adult than what you may be used to on network tv. There’s nudity and there’s sex. Quite a lot of it actually for a half hour sitcom.

If that’s not your thing, you might want to steer clear. I know I have one friend who is not at all prudish personally, but who consistently fast-forwards through love scenes, because she just hates them! She’d get a nice short film out of this episode.

As for myself, I liked the more adult theme, mainly because I think it gives the writers a lot more leeway to explore genuine human stories. It opens up far more avenues than traditional sitcoms are able to explore. Which in turn, I hope, will allow the cast and writers to flesh out (Ha!! Sorry, I couldn’t resist…) a more authentic portrayal of the trans woman of the title and the characters around her.

F--k Yeah Jim Croce!!!

F–k Yeah Jim Croce!!!

There were a few other touches I liked personally. The music was one of them. There is a very nice scene where the daughter and son of the main character are going through their dad’s record collection and they stop to comment on a Jim Croce album that they loved.

The whole scene reminded me very much of my own father and his record collection. Which included that same Croce album, which I loved as well!

For me, that allowed me to flip perspectives and identify also with the kids of this trans parent. Their characters being much more of my own generation, than Tambor’s trans character.

As for Tambor himself, I also harboured very conflicted feelings. I really, really like Jeffrey Tambor as an actor.  And though he’s perhaps better known for his roles in Arrested Development or The Larry Sanders Show. I was a huge fan of the show, Max Headroom: 20 Minutes Into The Future when I was a geeky punk teenager. In fact, in many ways it was pretty seminal to the person I became. It still inspires what I aspire to be. “Live and direct.”

But picturing Tambor’s character from that show, a harried, perpetually stressed out television producer named Murray, as a trans woman, was causing me a bit of dissonance, to put it mildly. It was a little hard to shake.

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But Murray!! Your mustache is so epic!

Also, I’m really tired of seeing cis people (Someone who identifies as the gender they were identified as at birth. Ie., not trans.) play trans in tv and movies. Still, Tambor does an excellent acting job here, and given the early transition time period of this show, I found the casting to be actually appropriate.

To the producer’s credit, there appeared to be several authentic trans people playing smaller parts. And I have it on fairly good authority that if this show gets picked up for more episodes, they plan on casting a credible ensemble of genuine trans people. Fingers crossed.

So, would I recommend this show? Though I know the sort of trouble I could get in to with my more radical friends for saying this; yes, yes I would. I think it’s worth at least giving a chance to.

Transparent is currently available on Amazon Prime as an Amazon Original Pilot. A “Test Pilot” if you will! (I know, I know! Listen, I was a comic before I was a radical trans activist okay?? A girl’s just gotta get these things out sometimes.) And if enough people watch it and tell Amazon that they like it, the show will get a go at more episodes.

I rather hope it does. I’m curious to see where they go with this story and these characters. I’m hopeful they might even do it right! Certainly if they can continue to be able to surprise my jaded media-analyzing self, they’ll be on the right track.

And finally, I personally hope it gets picked up because, speaking frankly, I’d love to be part of that cast! This queer trans, activist, adventurer and pageant queen is ready to balance out all the marching and saving the world stuff with a little more of the making people laugh scene again!!

Slainte!

05
Nov
13

Tammy’s Twist – A Trans-Tastic Evening Of Comedy

Come on everybody!

Let’s TWIST!!!

 

twistcomic

Hi there! It’s Lorelei, you know, the weird tall woman who writes a newspaper column called “Ask A Transwoman” and purports to be a bona-fide pageant queen. (It’s true! Honest! Miss Trans New England 2009!! W00t!!) The Transproviser her very-own self!!

Anyway, the other thing I do, and did for years and years before I became the fabulous transgender activist I am today, is Improv and Comedy! This is relevant because I’m co-hosting a show in NYC next Saturday with the amazing trans stand-up comic Tammy Twotone. And I’m really hoping you, my dear faithful readers, will go!! Or if it’s totally unrealistic for you to make it, maybe you could encourage your friends to go.

SingingTandLcropBut why is this so important, besides being a super-funny night of some of the best comedy on the freaking planet?!?! It’s important because this is what we’re always talking about. It’s transpeople making our own media. Telling our own stories (and jokes!). We’re not waiting for Hollywood and the rest of the entertainment industry to catch up, we’re doing it ourselves.

And we bring a heck of a lot of talent to the table. Tammy has been doing standup for decades. Perfecting her craft and paying her dues, until she got to the point where she has finally been trusted with producing her own show. This show.

As for myself, I spent years studying improv and sketch comedy at Second City in Chicago and LA. Performing with a number of different groups, and on any stage I could get up on, all over the country. I was also the showroom manager at The Hollywood Improv for several years, studying and getting to know some of the greatest comics working today. (As well as a lot of the not-so-greatest…  Gods help me.)RedDurkinNY

Beyond that, we also have the amazingly funny and smart trans comic (TransComic?) Red Durkin joining us. For my money, Red is one of the best up and coming comics working today. Trans or otherwise.

Tammy, Red and I all come from pretty different comedy backgrounds, so it’s not often you will see the three of us sharing one stage like this. This is special. And not just because of our collective transness! We also have quite a line-up of cis LGBQ comics joining us as well as some totally straight cisfolks! (CisComics?) They bring credits as diverse as “The Chappelle Show”, “Louie”, MTV and even freakin’ Nick At Night!!

But for this to be successful we need to pack the house! Show ‘em we’re not just awesome, but we’re a viable market. Trust me, if there’s one thing The Industry values above all else, it’s the ability to bring a crowd!

Now is the time to stop talking about how there needs to be more transpeople being represented. We will be representing loud and proud this coming Saturday, 10pm at The Broadway Comedy Club in NYC!!!  All you have to do is show up!! (And buy a ticket and two drinks of course.)

See you there!!

The Broadway Comedy Club 318 West 53rd St., New York, NY 10010

Tammy Twotone, – Producer/Host

Lorelei Erisis -Second City, LA Improv

Coleen Scriven – NYC Fringe Festival

Kim Deshields -Nick at Nites’ Funniest Mom

Rick Crom – ‘Louis’, ‘Chapelle Show’

Micah Sherman -Second City

Red Durkin -PrettyQueer.Com

Harrison Greenbaum -MTV Comedians to Watch

Emma Willmann

Danny Palmer

Stacy Kendro

The Silent Opera

Tickets are $12 and can be purchased at the door. There is a 2 drink Min.

For res. call 212-757-2323

11
Mar
13

“She’s Got A D!%k” A TransComic Analysis

So, if you’re trans, by this point in the news and social media cycle, you will have heard about the Justin Timberlake starring trailer for a faux romantic comedy called “She’s Got A D!%k” on Saturday Night Live this past weekend. And you probably already have, or are trying to form, an opinion.

The first I heard about this sketch myself was just this evening, on a Facebook thread in which my opinion as a Second City trained Sketch Comic and Improviser was solicited. And I resisted reading any of the comments before I watched, so I could get a fresh take on it.

What I got was at least two good chuckles, one of which was a Eugene Levy reference, which, was really just spot-on. Also, a couple of “Awwws.” And the thought, that afterwards I read reflected in various comments, that, gosh, I’d really like to actually see this movie!! It would probably even become a guilty favourite.

There has already been at least one pretty insightful blog post by a transperson, written by Antonia D’orsay who is the Executive Director of This Is How. And though I don’t agree with everything Ms. D’orsay has to say about the subject, it is well worth a read for it’s pretty in-depth analysis of the deeper issues.

So, that being the case, I’ll stick with looking at the sketch from the point of view of a comedy professional who also happens to be trans.

I could break down the technical details of the sketch for hours, but basically what you need to know is, despite the title of the movie, it’s not really a sketch about trans people. Or rather more specifically, the subject of trans people is incidental to the main joke. That joke being, how formulaic romantic comedies are.

Take one “meet cute”. Flavour with any randomly contrived conflict (spin the magic wheel and it lands on…. “Woman with a penis”) that’s only ever really a matter of characters being honest with each other. Add a pinch of concerned authority figure (Eugene Levy!). Stir in a quirky friend (The magic wheel lands on…. “Funny black guy”). Separate the obviously meant to be together couple for a really unacceptably dumb reason (the aforementioned penis), that makes the audience want to scream at how dumb they’re being. Bake for 70 minutes or so and then let the characters finally get over the contrived conflict and get together.

Que the audience reacting with, “Awwwwwwwwwww, that was sooooooo cute!!”

Heck, if anything was offensive, my pick would be the borderline stereotyped black character. Not that I think anyone will complain. It worked and was funny. Which sounds simplistic, I know. But my experience with what people will or will not be offended by in comedy is that’s usually where the safe side of the line lies.

I'm ready for my close-up Mr. Michaels!

I’m ready for my close-up Mr. Michaels!

As for it being a cis woman playing trans . Yes, this usually bothers me in lots of other things. However, the requirements of sketch comedy are such that it is common for members of an ensemble to play all sorts of characters they quite clearly aren’t. And I thought that the lovely and talented Nasim Pedrad did an excellent and rather sympathetic job. So, while Lorne Michaels is more than welcome to call me anytime he needs an authentic trans person (Please call me Mr. Michaels!!! Please, please, pretty please with a token trans woman on top!!!), the only way I’d have a problem with this is if they actually made this movie for reals. In which case, it damned well better be a trans actress playing the part!

Finally, I have to say that I find it to be a fairly positive thing that mainstream comedy shows like SNL feel their audience is familiar enough with trans people to use us as a comedic reference in a way that isn’t just the old “hairy guy in a dress” trope that was already a standard when Milton Berle was using it (yeah, I’m looking at you Craig Ferguson!). This may not seem at first blush to be so significant or even positive, but I assure you it is. Comedy, especially sketch comedy, tends to play to the reference level of its audience. So, for a show as broadly appealing as SNL to produce a sketch with this level of sophistication in its reference to transgender people and our lives, it has to be assumed that the bulk of the unwashed masses will actually, “get it”.

So, there you go. I liked it. It was okay, not great, but well done and funny. And possibly even slightly positive!

Possibly. Maybe. I hope.

01
Feb
11

A Trans-Analysis of SNL (and some really blatant self-promotion)

Pageant Queen At Work!

Lorelei Erisis doing what I do best!!!

There are those moments when I think to myself, “Lorelei, keep you’re your trap shut”.  Sometimes I listen, sometimes I don’t.  This is clearly one of those moments where I don’t.

There was a sketch on SNL last weekend that’s got all kinds of folks up in arms this week.  It was one of SNL’s standard fare commercial parodies starring guest host Jesse Eisenberg and several other cast regulars.  The sketch was a commercial for a fictional product called, “Estro-Maxx”, an estrogen supplement for male to female transsexuals hoping to speed up and simplify their gender transition.

I haven’t watched SNL regularly in years, so I had no idea about this sketch until this morning when I opened up Facebook and saw several of my friends and acquaintances from the trans world expressing their horror and dismay over this particular sketch.  Some were even calling for a public apology from NBC as well as a removal of the offending sketch from all media and future broadcasts.  In short, it was a shit-storm.

So, trans-activist that I am, I clicked the link, ready to formulate my own facebooked expressions of dismay but also trying my best as a comedy person to keep an open mind.  One minute and 55 seconds later, my impressions were similarly divided.

As a transwoman, I was deeply unsettled by the depictions of a transwoman with a beard and one with a mustache.  I was also jarred as an activist by the sloppy pronoun usage in referring to these transwomen.

But as someone who has spent most of their life studying, performing and working in the comedy field, I couldn’t help but think maybe there was something there.  I’ll admit, I did laugh a couple of times.  Not a hearty laugh, but enough of a chuckle to count.  I still felt somehow offended, but there were details that kept nagging at me.

As it happened, I had to get to work and get on with the day to day of paying the rent and living life.  But I kept an eye on the opinion threads through the day, wanting to feel out how other people were reacting.

The more I thought about the sketch though, the less offended I was.  There were little details that made me have to think.  Inferences I made based upon what I know about comedy and from a lifetime of eagerly staying up late to hear Don Pardo say, “Live from New York!”

When I got home just a little while ago I watched it again and discussed it with my friend Widow Centauri, who I met while she was doing standup and I was running the show at The Hollywood Improv.  Here are the conclusions that I’ve come to.

(click the link  below to watch the actual sketch on NBC.com)

http://widget.nbc.com/videos/nbcshort_at.swf?CXNID=1000004.10045NXC&widID=4727a250e66f9723&clipID=1279560&showID=61

First, yes it is offensive.  It’s comedy though and sometimes comedy ain’t pretty and almost all comedy is offensive to someone.  Even “self-deprecating” comedy is simply making the comic themselves the butt of the joke.  They are offending themselves.  And before you shout, “What about Bill Cosby?!?” at me.  Just consider how his kids must feel about his jokes.  Or Noah?

The line between when people feel offended and when they laugh, tends to lie in direct proportion to how actually funny the joke was.  I’ve seen comedians get away with the most incredibly, outrageously, the-ACLU-should-be-alerted, offensive material, because the audience just couldn’t help but laugh!  Because it was super-friggin’ funny!!  Because it was delivered well and the timing was just so.

Now the folks at Saturday Night Live have to turn out a fresh show every seven days.  An hour and a half of material that people are going to reasonably expect to be funny.  But that isn’t always going to be gut-busting.  With that much pressure, some of it will be “merely” clever.  Kinda funny.  Hopefully at least smart.

So, back to the sketch.  It was kinda funny and the more I examined it, kinda smart too.  It works on a number of levels.  Transsexual folks are only one of them.  It’s a very effective skewering of all those commercials offering health products to women.  Menopausal women especially.  On that level, it’s a pretty note for note replication of one of those commercials.  For it to work as satire though, you need an unexpected element.  For that, in this context, transsexual women are perfect.

On deeper reflection, I am forced to believe that this was in no way meant to be a skewering of transwomen.  Though there are women-with-beards presented, it in no way resembles the standard “gender-panic” type joke that you usually see pointed at transpeople in the popular media.  It is nothing like Letterman’s tasteless joke when Amanda Simpson was appointed by President Obama last year.

In fact, given the very specific reference levels of the sketch, I would say that it was written and performed by folks who, while they may not be perfectly sensitive, are at least familiar with and surprisingly informed about transpeople in real life.  There were elements of the sketch that, while easy to miss in the first flush of reaction, were pretty trans-specific.  Like the idea that the initial stages of gender transition are never as quick or as dramatic as some of us would like it to be.  Or showing transwomen as respectable people living our daily lives, in positions of power even!

I also read a number of comments from transpeople around the internets who noted that for once, we were not portrayed as over-sexualized freaks.  Heck, most of the women portrayed in the sketch weren’t even in dresses.  They were mostly in casual pantsuits!  They were probably dressed the closest to how actual (or at least, white, middle-class) transwomen dress that I’ve yet seen on television.

The sketch really could have been quite a positive piece overall.  But then came the facial hair.  And you could almost hear a thousand transsexual and transgender people go “Booooo!!!  Hissssssss!!!!”  And honestly, if it had been me, an actual, honest to Gods, transgender woman, writing the sketch, I would not have gone there.  But it wasn’t me, it was a bunch of (as far as I know) young-ish, cisgender guys.

Folks whose job it is to come up with, write, perform and often produce themselves, fresh funny material in less than six days every week for several months a year.  And hopefully not offend anyone too badly.  A job I would kill for, but by no means an easy one.

I actually thought, upon examination, that the “Estro-Maxx” sketch had a lot in it that was specifically applicable to transpeople, potentially funny to us and not necessarily a lot of other people.  But SNL has a lot of other people watching who also need to be made to laugh.

So, beards on transwomen.  In comedy terms it’s an unexpected juxtaposition of elements.  One of the basic building blocks of comedy, put a couple of disparate things together and build the yucks.  It ain’t always pretty, but it’ll make the Coors Lite buying segment of the viewing public laugh and keep them tuned to an otherwise oddly specific sketch.

But wait!  It goes a little deeper than just that even.  When we first see the bearded transwoman, she’s going through an airport security scanner.  The bored looking guard overseeing this doesn’t even blip at the women with obvious facial hair going through the scanner until he sees the scan and the scene implies he’s seen her genitals, at which point he finally reacts.

I kept thinking about this and it seemed to me, the more I thought about it, that this was actually a pretty astute observation of how genitally obsessed people in our society can be.  I can tell you from personal experience that I encounter this sort of thing all the friggin’ time!!  People will be completely unfazed by the fact of a six foot four woman with a gameshow announcers voice towering over them, but they cannot let go of the idea that my genitals might not be the standard issue for most women!!

But then, the guard does not react with the boring old, standard issue comedy, shock and horror, total disgust face.  The guard actually seems interested and happy!  He even shows up in the final tableau!!

The mustache on the other hand, I can’t defend except to say that for some reason it was a hilarious mustache in and of itself.  Seriously, you could show me 30 seconds of just that ‘stache and I’d be laughing my fool head off.  But probably it wasn’t appropriate for the sketch.

All told, I did not think the “Estro-Maxx” commercial parody was the funniest thing I’ve seen in ages or even close to the funniest thing I’ve seen on SNL.  (“Wake Up And Smile” was.  Trust me, Google it.  It’s friggin’ twisted)  And I can well understand why many of my transsexual/transgender sisters and brothers are so offended.  But I have to say that I found it surprisingly smart and somewhat funny.

It’s never fun to be the butt of the joke, but I can tell you one thing.  When they’re making fun of you on Saturday Night Live, it means people are paying attention.  You are important enough to make reference to.

And transpeople are that!  We are finally beginning to be heard.  The media juggernaught has taken notice and the advertisers will not be far behind.  That is something SNL got dead right.

Now, the question is, what do we do with that spotlight?!?!

As far as SNL is concerned, I know what I’d like to see.  I’d like to see a transsexual/transgender host or even cast member!!  If Lorne Michaels and NBC want to make a gesture to the trans community I have a suggestion.

Let me host!!!

I’m a Second City trained improviser, actor, writer and sketch comic who has been doing comedy one way or another since I could first make words come out of my mouth!!  And I’m also a genuine Bona-Fide transsexual woman!  Heck, I’m even a transgender celebrity.  A columnist, an activist AND a pageant queen.  I was the very first Miss Trans New England!!!

How do you like them apples!??!?!

And if one transgender woman’s not enough for ya, I’ve even got funny friends!!  I’m sure my friend, stand-up comedy veteran and also genuine bona-fide, etc., etc., transwoman, Tammy Twotone could be convinced to join me!  You could get a Comedy Transwoman Two-fer!!

So whaddya say Mr. Michaels???  Will you let me host?

How about you internet friends?  My trans sisters and brothers and everyone else reading this???  Do you want to see a flesh and blood transsexual woman making the funny for you on national TV??  Do you want your voices represented?

Then make it so.  Time for us to grab control of that spotlight ourselves.

Get out there and tell SNL and NBC that you want Lorelei Erisis to deliver that famous line, “Live from New York!  It’s Saturday Night!!!”

"The Tranny Rat Pack"

Lorelei Erisis, Tammy Twotone & LezleeAnne Rios

Tell Lorne Michaels you want Lorelei Erisis to host SNL

Slainte!




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